I refuse to officially join the random-happy MP3 generation.
Oh, I have my share of MP3s. Probably more than 1,000. They sit on my hard drive, entertaining me while I work and sometimes finding themselves part of a new mix CD.
But my music is anything but random.
Ever since I was old enough to press record on a cassette tape player, I have been making my own tapes or CDs. I choose the song order. I create the mix. I set the mood, the ambiance, the spirit of the music.
And I get a rush from my audience's reaction.
One of my passions outside of the workplace is mixing music. Give me a few hours, a chewy red Zinfandel and my music collection (not just the MP3s), and I'm content. And very engaged.
You see, I was born to mix. That's what I do. In the early '70s, I simply recorded songs off the radio. It was difficult to create my own order, but if there was a song that didn't fit the mix, it was erased.
In the early '80s I was so obsessive of doing things my way that I re-recorded The Who's "Who's Next." I thought the album should open up with "Going Mobile," not "Baba O'Riley." I actually sat in front of my father's stereo and queued up the nine tracks on the album the way I wanted to hear them.
OK. That's a bit impulsive. And my apologies to Pete Townshend, who commands a lot of my respect with his perception of the order of the universe.
Don't equate me with Alfred Molina, the crazed mix-master in "Boogie Nights." But it's clear I like to have control. I put a lot of time into my mix CDs. One of my best friends and I have made a career of creating music mixes, which we called variety tapes in the early days.
So when this same friend tells me how much he loves his MP3 player and the random mixes it produces, I feel a little sad. He's lost control. He no longer is the master of his music domain.
I guess it's OK if he likes the Doors' "Soul Kitchen" segueing into Madonna's "Material Girl." Not that it's such a bad transition, but he didn't think of it. He's letting a machine determine his mood and the vibe that propels his day.
It's not for me. If "Soul Kitchen" is going to segue into "Material Girl," it's going to be because I created the moment by design. I will not let a machine try to delight me.
It's like opting for a "Quick Pick" when playing the lottery. Why would you let a machine pick your numbers? If Karma is going to deliver you millions of dollars, wouldn't you feel better if your numbers hit the jackpot?
Then there's the dating thing. Since I'm married I don't run into this, but how embarrassing would it be to have a date going well and you're trusting your MP3 player in random mode to set the mood? Elton John's "Your Song" segueing into Nine Inch Nails' "Pinion" will kill a moment pretty quickly.
I like MP3s. Digital music technology is incredible. I love using MP3s to create soundtracks to digital home movies and I love using sound-editing software that allows me to smoothly mix music, fading in and out, crisp and precise.
But bits and bytes will not mix my music. The order I hear songs is up to the artist or up to me.
It's just not negotiable.